At Moonshine, we do on-set and off-set digital dailies for Tier 1-3 productions with quick and efficient turnarounds.
Moonshine is tailored to suit both digital film and TV productions. We use unique and efficient strategies that are designed to improve your production workflow. Our color technicians can help you tell your story with the look you need. We can deliver both editorial and viewing dailies electronically over fiber or physically in nearly all formats. At Moonshine, we bring expertise and dedication to the art of dailies.
Talent and Technicians
Senior Colorist: John Peterson
With more than 20 years of experience, senior colorist John Petersen runs a tight ship with his team. He has supervised and colored a majority of the feature films shot in Atlanta in the past five years. A few of his credits include Anchorman 2, Zombieland, The Three Stooges, Hall Pass and Identity Thief. For a complete list of John’s film and TV credits, please visit his profile on IMDb
Our dailies team is made of well-rounded professionals with color and engineering experience. They operate under the direct management of our senior colorist.
Dailies for both Editorial and Viewing
- Sync & Project Prep – Your footage will be prepared with synced sound and be labeled for viewing. We can also offer custom workflows for your editing software of choice including Avid, Final Cut, or Adobe Premiere Pro.
- Color Timing – Our dedicated colorist will balance and process each clip according to your preferred looks and LUTs.
- Delivery – Your finished dailies can be viewed on an iPad®, DVD, or web by the next day. Editorial files can also be uploaded and / or shipped next day.
Deliver Via Fiber and / or Physical Drives
We can deliver your content through a fiber connection and / or ship a physical drive. Our team can deliver your files in any format that your production needs with a quick turnaround.