Digital Dailies

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HDR, Dolby Vision, 4K, 8K, (seriously?) we got you covered from the start with our workflow expertise and a lot of computers with expensive monitors.

At Moonshine, we bring expertise and dedication to the art of dailies. We do on-set and off-set digital dailies for Tier 1-3 productions with quick and efficient turnarounds and our facility is tailored to suit both digital film and TV productions.

With our dailies services, you get…

  • Efficient strategies tailored to your production workflow
  • Experienced color technicians
  • Editorial and viewing dailies delivered over fiber or physically
post-production dailies, candy jar, raising dion, lovecraft country

Actual Color & Sound Sync Dailies for all Platforms

Sync & Project Prep – Your footage will be prepared with synced sound and be labeled for viewing. We can also offer custom workflows for your editing software of choice including Avid, Final Cut, or Adobe Premiere Pro.

Color Timing – Our dedicated colorist will balance and process each clip according to your preferred looks and LUTs.

Bi-Coastal Delivery for Editorial and Viewing

Your finished dailies can be viewed on an iPad®, DVD, or web by the next day. Editorial files can also be uploaded and / or shipped next day.

We can deliver your content through a fiber connection and / or ship a physical drive. Our team can deliver your files in any format that your production needs with a quick turnaround.

Georgia Production’s Streamlined Delivery

Moonshine Post, COMMANDER, and Crafty Apes have formed a strategic partnership, together we offer packages bundled or a la carte for productions visiting or originating in Georgia. We have designed an entire pixel pipeline from acquisition on-set to final color. Take advantage of our camera, editorial rentals, VFX and Color DI packages. Our color science is only matched by our quality of service, and our facility offer’s turn-key solutions for studio, network and indie productions.

John Petersen, Colorist, Partner


With more than 20 years of experience, senior colorist John Petersen runs a tight ship with his team. He has supervised and colored a majority of the feature films shot in Atlanta in the past five years. A few of his credits include Anchorman 2, Zombieland, The Three Stooges, Hall Pass and Identity Thief. For a complete list of John’s film and TV credits, please visit his profile on IMDb.

Our dailies team is made of well-rounded professionals with color and engineering experience. They operate under the direct management of our senior colorist.

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